The Mockingbird Foundation has announced an unsolicited $1,000 tour grant to Sunset Park High School in Brooklyn, in celebration of Phish's ongoing four-show run at Madison Square Garden. This is the only NYU Partnership high school in Brooklyn. Of the students, 92% are minority and 85% are economically disadvantaged. It's also right down the street from a mass shooting that happened less than two weeks ago.
[Phish.net welcomes and thanks guest writer, Jeremy Willinger (user Jeremy8698), for this recap. -Ed.]
I love YEMSG holiday Phish runs, except this year---and stop me if you heard this one before---we shifted things 112 days due to a resurging pandemic and concern for everyone’s general welfare. So, Happy belated New Year to all; now let’s get down to the nitty gritty.
To get a little more granular, the 12/30 show has always been the standout during recent runs, and I will point you to my previous reviews of this night of music from 2019 and 2018 to showcase how unassailable and correct I am. Will tonight also eclipse what the band had in store for the end of 2020? Only time (that turns elastic) will tell.
[Thanks to Josh Martin, @JMart, for once again writing a recap for the phish.net blog. And thanks to Matt Bittmann for the sweet photos! - ed.]
Greetings, everyone, and glad tidings from New York City, where Phish played the first of four rescheduled concerts, originally slated to be played Decemeber 29th - January 1st.
Before we begin in earnest, a brief requiem for what might have been: It is overstating nothing to say that Phish in the fall of 2021 was on one of the hottest runs of the post-break up era, no matter what you choose to call it. And while comparisons to the best tours of ANY era may have been a tad premature, one can certainly forgive their being made, as such comparisons are made with the breathless exuberance of a fan who has just witnessed something great. And if you saw a Phish show last year, chances were you did. Add to that momentum the bonkers Sci-Fi Soldiers numerology that Phish started laying on the audience during the Halloween run (4680 days from 3/6/09 to 12/31/21, etc.) and one can’t help but be a bit sad for what might have happened if those dates had gone off as planned. That having been said, if the last two-plus years have taught anyone anything about life, it is that there are things that are simply out of our control and it is our charge to deal with that uncertainty as best as we’re able.
There was no 12/29/21 show, but there was a 4/20/22 show, and that show started at the shockingly early hour of 8:07 PM with “Carini.” Given the level of 4/20-related chatter that had been going on for the past few months, it’s doubtful that very many heads had this as the run opener. This subversive “Carini” modulated is its way out of the dark into a pleasant, if familiar, sonic space. Around 7:30 Trey started upping the ante and Mike was quick to follow. Page jumped on clavinet for a few bars of something that was starting to sound very sinister, but was quickly nixed for a return to calmer pastures. There Trey and Mike fell into two beautiful melodic runs that coalesced into a propulsive chop, beautifully segueing into “Possum.”