[We would like to thank Matt Nestor (@rhythmatt) for this post —Ed.]
What transpired during the third hour of this millennium on the Big Cypress Seminole Indian Reservation in Florida remains a source of wonder and enchantment in this community more than two decades after it washed over the everglades.
This is an exploration of “Quadrophonic Toppling,” the hard-to-define digital delay loop jam that spills out of a determined, trance-like “Sand” around 3 a.m. at Big Cypress. It’s a moment of sonic tranquility amid a raging flood of Y2K revel. And, it completes a 36-minute segment that serves as a keystone in the architectural marvel that is Phish’s all-night millennium set.
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